What does a swordfish’s call sound like? This question is the starting point for Giacomo Triglia's visionary film: a poetic tale of love, memory, and transformation. In the village of Scilla, Peppe is making a documentary about swordfish fishing in order to rediscover himself and Lucia, his lost love. The journey takes him to a world suspended between dream and reality, populated by symbolic figures and giant papier-mâché creatures. On this journey of rediscovery, the protagonist identifies with the male swordfish, faces the pain of loss, and rediscovers the lost melody

In a God-fearing village, giving birth to a "fačuk", an illegitimate child, is a mortal sin. In this narrow-minded, harsh, rural environment, fear grows inside the young pregnant woman who is about to give birth at any moment.

A 20-year long friendship and a past similarly marked by tragic events unite Ben, a European filmmaker, and Negi, an Indian Buddhist. Fascinated by the possibility of finding in Negi a spiritual guide to come to terms with death, Ben relives and shares his personal story. His journey leads him to deal with the role life has given him, closely linked to his relationship with his father. As the impossibility of finding clear and definitive answers becomes apparent, the deeply human need to accept death emerges, transcending cultural, religious, and geographical barriers.

The history of the Pilastro district begins in the 1960s, with a group of council houses a few kilometers from the center of Bologna, built in response to the demand for housing for the growing number of immigrants in the post-war period. In the shadow of the “Virgolone”, one of the largest residential complexes in the city, a neighborhood with almost seven thousand inhabitants grows, today often at the center of media attention only for crimes and crime stories. 　　Through the history of the neighborhood and its inhabitants, the film explores the relationship between city spaces and daily experiences, in a context where challenges and contradictions in urban development are evident.

In acting classes, in theatres across Italy, adolescents embark on their own journey of 　　transformation. Many teenagers today experience what actors like Vinicio Marchioni 　　or Francesco Di Leva experienced a while back: they found their way on the boards of 　　the stages, under the eyes of the spectators.

PADRE SELVAGGIO DE PIER PAOLO PASOLINI ITALIE/1962/9'/VOSTF/VIDÉO Un bout à bout d'essais, tournés en un seul jour dans un camp de gitans de la banlieue de Rome en décembre 1962. Un film que Pasolini ne terminera jamais.

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Forced to flee Bosnia when he was a child, Irvin returns to his homeland. In the same woods where thirty years earlier people took refuge, he decides to build a small village with his own hands. To restore dignity to this place and to the people who died in the war, to heal his wounds, and to fulfill his desire for redemption. But when he is on the River Drina, Irvin does not stop trying to discover what happened, and what could still happen.

暂无剧情简介

暂无剧情简介